Media, Journalism & Film

Classes

MJFC 100 : Fundamentals of Journalism

Learn writing rules and styles unique to journalism with a focus on Associated Press Stylebook, grammar, punctuation and mathematics for journalists. Students must pass this course to continue in the journalism program.

Credits

1

MJFC 101 : Intro to Mass Communications

Provides a comprehensive understanding of mass communications and the new information age and all components therein. Explores the theories upon which all communications are based as well as the tremendous scope and complexities of the mass media. Discusses mass media emergence in present forms. Co-requisite: MJFC 200 Intro to Media Production

Credits

3

Prerequisites

Co-requisite: MJFC 200 Intro to Media Production

MJFC 200 : Intro to MediaProduction

Develop a proficiency with video camera operation, basic lighting, basic audio, as well as audio and video editing and scriptwriting format. Video projects will be uploaded campus websites. The course includes a required internship at glasshouseradio.com. Final projects include a three-minute video and a two-minute audio project.

Credits

3

Prerequisites

Co-requisite: SCOM 120 Digital Media Literacy

MJFC 201 : Multimedia Storytelling

This course is a gateway to graduation and will prepare you for almost any career by focusing on the exciting world of journalism. It introduces critical thinking, writing, multimedia reporting skills and habits needed in future journalism courses, regardless of specialization. Learn how to cover a variety of people, places, things, events and issues across platforms that included The Hilltop, HUNewsService.com, WHBC Radio, 101Magazine.net, WHUTSpotlight, TruthBeTold.news, NewsOasis.org and GlassHouseRadio.net.

Credits

3

Prerequisites

MJFC 100, MJFC 200. Co-req MJFC 101

MJFC 202 : Visual Journalism

Gather information in pictures and video and audio for presentation in multimedia journalism projects. Use a variety of open source and proprietary software to edit images and sound to create and upload packages to the Web.

Credits

3

Prerequisites

Prereqs: MJFC 102 Intro to Digital Journalism or MJFC 200 Intro to Media Production.

MJFC 204 : Intro to Digital Journalim

Develop a proficiency with video camera operation, basic lighting, basic audio, as well as audio and video editing and scriptwriting format with a journalism focus. Video projects will be uploaded campus websites. The course includes a required internship at glasshouseradio.com. Final projects include a three-minute video and a two-minute audio project.

Credits

3

Prerequisites

Co-requisite: SCOM 120 Digital Media Literacy

MJFC 211 : Announcing and Interviewing (Podcast)

Develop the techniques and skills for producing effective audio for broadcast. Learn to write and perform scripts for news, features, commercials and entertainment programming that can be aired on radio or the Internet. Train how to use the voice through the microphone to produce compelling audio interviews and create audio dramas. Explore radio broadcasting and production voiceover opportunities. Productions with exceptional broadcast quality may be published through the Howard University Radio Network.

Credits

3

Prerequisites

MJFC 200 Intro to Media Production

MJFC 212 : INTRO TO DIGITAL AUDIO WORKSTATIONS

New - Gain essential knowledge of digital audio workstations and the conversion of analog audio signals to digital data used by these systems. Learn how to utilize DAW system functions including multi-track recording and playback, editing, mixing, MIDI and signal processing. Become familiar with DAW features such as signal level metering, panning, mix automation, and plug-ins for signal processing including equalization, dynamics processing and special effects to produce broadcast-ready audio programming.

Credits

3

MJFC 221 : Contemp Topics: Media Entr

Race, gender and class are socially and culturally constructed and represented in media. As an introduction, this course examines the mass media as economic and cultural institutions that shape our social identities and are shaped by them. This is accomplished through analyses of popular mass media including film and television. Some attention will be paid to media producers and the media audience. Using the techniques of reviewing personal experience, reconstructing knowledge and conducting media assessments, this course is designed to stimulate critical thinking and thoughtful discussion.

Credits

3

Prerequisites

MJFC 342 Advanced TV Production OR MJFC 343 Cinematography and Senior Standing

MJFC 223 : Film & Television Production

Expand on theoretical and practical knowledge of basic television and film production, form, style, and structure of the short narrative. Focus on process, from preproduction and production through post-production, with emphasis on collaboration and production value. Learn the basics of running a set and crew in various positions and produce a sync-sound short narrative.

Credits

3

Prerequisites

Prerequisites: MJFC 101 Intro to Mass Communications.

MJFC 225 : History of Broadcast & Film

Explore the evolution and historical development of broadcast media and film as a global phenomenon. Undertake a socio-economic study of broadcast media and film industries, as well as begin to critique and analyze these developments. There will be in-class screenings, instructor-provided readings, lectures, and student-led presentations and discussions that examine various theoretical frameworks, critical concepts and cultural perspectives that shape the aesthetic and industrial landscape.

Credits

3

Prerequisites

SCOM 120, Digital Media Literacy, MJFC 101 - Intro to Mass Comm, MJFC 200 Intro to Media Production

MJFC 250 : Producing for TV & Film

This course is an introduction to the basic principles, procedures, and techniques of television production. The Television Elective course includes video control, special effects, operation of cameras and editing machines, composition, lighting, staging, and directing, on-camera announcing and interviewing.

Credits

3

Prerequisites

MJFC 223 Film & TV Production

MJFC 300 : Co-Curricular: Truth Be Told

Using fact-checking as a methodology, learn to use crowd-sourced information and investigative reporting techniques to examine claims about the black community in public debate. Modeled on teaching hospital method of learning-by-doing this course turns the classroom into a newsroom with students, professors and professionals working to produce community-driven news and information. Learn how democracy is threatened byfake news, bots, and trolls, and how fact-checking can help counter those challenges. Develop advanced research and multimedia storytelling skills. 

Credits

1 - 3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 301 : Co-Curricular: Audio

Develop a better understanding of the sound medium the principles and techniques that make for successful and effective audio production. Class lectures, discussions, speaker evaluations, studio and location recordings help you to develop basic technical knowledge of the field of audio, the channels of the HU Radio network, the history and public broadcast role of WHUT-TV,

Credits

1

Prerequisites

none

MJFC 304 : Co-Cur. Journ.: 101 Mag I

Learn the basic skills necessary for digital magazine publishing. Learn to produce multimedia content or work on the business side for 101 Magazine. This content can include audio, video, graphics, profiles, news features, how-to articles, essays, reviews, commentary, service pieces, interactive narratives and whatever we can dream up. Also work in various areas, including multimedia reporting, editing, ad sales, producing, design, PR, podcasts, video, marketing, social media, event planning, distribution or photography.

Credits

1

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 309 : Co-Curricular:101 Magazine III

Learn the basic skills necessary for digital magazine publishing. Learn to produce multimedia content or work on the business side for 101 Magazine. This content can include audio, video, graphics, profiles, news features, how-to articles, essays, reviews, commentary, service pieces, interactive narratives and whatever we can dream up. Also work in various areas, including multimedia reporting, editing, ad sales, producing, design, PR, podcasts, video, marketing, social media, event planning, distribution or photography.

Credits

1

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 310 : Multicultural Media History

Learn about the important role that ethnic media plays in the United States. Learn how media owned and produced by people of color promote truth, equality and justice amid the nation's history of racial discrimination. Obtain an historical, multicultural and gender sensitive overview of the development and social role of journalism and mass media in U.S. society with an emphasis on the Black media in the African-American experience and in U.S. history.

Credits

3

Prerequisites

MJFC 101 - Intro to Mass Comm,

MJFC 311 : Interactive Editing

Learn to master the essentials of editing across media platforms as well as develop critical thinking, research, conceptual skills. Learn the basics of search engine optimization. Course covers traditional copy editing as well as text editing for broadcast.

Credits

3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 312 : Digital Design

Learn the principles of layout, design and production of newspapers, magazines, websites and other digital media. Dvelop a discerning eye for good design and a competency in graphic communication through use of appropriate professional design software to create a portfolio of your best work.

Credits

3

Prerequisites

MJFC 311 Interactive Eding

MJFC 313 : Public Affairs Reporting

Develop the skills to report on how federal, state and local governments work, and their impact on communities. Learn to cover beats and report on public affairs issues, taking advantage of Howard University's setting in Washington, D.C.

Credits

3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 315 : ST: The 1619 Project

Special Topics course. Focuses on the historical impact of the 1619 Project.

Credits

3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 317 : Broadcast News Production

Learn to be a producer”the decision maker behind newscasts.  The producer coordinates all of the elements (story meetings, video, scripts) to get his/her product on the air and meet deadline. This includes managing other students while working with constructive criticism from instructors. Evaluations conducted on news judgment, creativity, quality of product, management abilities and professionalism.

Credits

3

Prerequisites

Prereqs: MJFC 313 Public Affairs Reporting.

MJFC 319 : Broadcast Journalism

Get an introduction to the skills needed to be an effective broadcast journalist to work in multimedia platforms.

Credits

3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 321 : Adv. Multimedia Storytelling

Build on skills acquired in Multimedia Storytelling and other journalism classes through various media. Gain a firm grasp of the technologies and skills needed to work online and in broadcast news environments. Expand your understanding of the best ways to tell stories using a variety of media.

Credits

3

Prerequisites

MJFC 201 Multimedia Storytelling

MJFC 330 : Multimedia Audio Production

Learn basic knowledge of radio/audio storytelling and production techniques via practical experience for broadcast and Internet. Work on projects designed to develop skills in audio writing, recording, editing, mixing and mastering techniques using digital audio software. Focus on the science of sound and the history and business of radio. Exceptional productions of high quality published through the Howard University Radio Network.

Credits

3

Prerequisites

MJFC 200 Intro to Media Production, MJFC 211 Podcasting (Announcing and Interviewing) for audio students. MJFC 102 Intro to Digital Journalism, MJFC 201 Multimedia Storytelling for journalism students

MJFC 331 : Audio for TV & Film

Focus on techniques of recording sound for film and television and the post-production processes necessary to create the soundtrack. Use microphones, separate digital audio recorders, and digital audio software to capture sound on location and in the studio. Work in teams to produce creative projects to develop audio production skills along with an understanding of audio responsibilities for visual media and to familiarize themselves with the legal and ethical issues facing the industry.

Credits

3

Prerequisites

MJFC 220 Media Production II for Film/TV students; MJFC 330 for Audio Production students

MJFC 332 : Contempary Topics : Music Media

Learn about composition and direction of music to support contemporary storytelling in television, film, podcasting, news media and gaming. Discover and practice scoring, soundtracking, music supervision, licensing and placement. Use the digital audio workstation (DAW) of choice to develop sonic brand identities for established businesses, develop compositions for films, as well as produce music for media programs and packages.

Credits

3

Prerequisites

MJFC 212 Intro to DAWs and MJFC 211 Podcasting

MJFC 334 : MICROPHONE TECHNIQUES AND ACOUSTICS

New - Train in sound sensitization, acoustic theory, and microphone techniques to plan and perform excellent sound capture for a wide range of audio programming deliverables. Execute professional sound recording processes including location scouting, boom mic and lavalier microphone (wireless and micro-recorders) voice capture, studio voiceover, Foley, ADR, and mono/stereo/binaural/ 360 capture to produce original audio content. Experience using digital handheld recorders and DAW technology to prepare students for subsequent course instruction in audio technology and production.

Credits

3

Prerequisites

Prerequisites: MJFC 200 Introduction to Media Production.

MJFC 336 : MJFC 336 - DAW EDITING AND MIXING

New - Refine and apply critical listening, noise removal, equalization, dynamic processing, panning, reverb and delay, and automation techniques. Gain essential skills needed to execute precise audio editing and develop high-fidelity stereo sound mixes for various media platforms, ensuring their work translates to headphones, domestic sound systems (smart speakers, sound bars, etc.) and movie theater speaker systems. Culminates in the completion of a public-facing sound mix. 

Credits

3

Prerequisites

Prerequisites: MJFC 334 Microphone Techniques

MJFC 340 : Scriptwriting

This course serves as an introduction to the fundamentals of film, radio and television scriptwriting. The course will focus on character development, story outlines, treatments and narrative script formats for the web, film, television and radio as well as commercials for radio and television. Students will finish the course with a short film script, webisode or 30 pages of a television pilot.

Credits

3

Prerequisites

MJFC 200 Intro to Media Production

MJFC 343 : Cinematography I

This intense introduction to cinematography touches upon the basics of all facets of filmmaking such exposure, optics, framing, coverage, lighting, color, etc. Learn to break down a film to its essential visual components. Learn the various functions of the cinematographer's on-set role, positions and responsibilities. Master the basic technology and instrumentation of cinematography.

Credits

3

Prerequisites

MJFC 223 Film & TV Production

MJFC 347 : Producing for Film & TV

Introduction to the nuts and bolts of physical production, line producing, budgeting, scheduling, and a producer's breakdown of a script. Learn the logistics of hiring cast and crew, securing locations, equipment, insurance, etc. Focuses on securing a property, through getting it green-lit, to the marketing and distribution aspects of the producer's job. Prerequisite: MJFC 223 Film and TV Production

Credits

3

Prerequisites

MJFC 223 Film & TV Production

MJFC 349 : Directing for Film & Television

Examine the role of the film director: establish a vocabulary, sharpen analytical skills, fine-tune visual sense, and above all - work with actors. Focus on four facets: visual design, script analysis, working with actors, collaboration with crew and team. Direct a short narrative or hybrid film with an emphasis on collaboration and aesthetic/production value. It is mandatory to crew for other projects (1st AD, Script Supervisor).

Credits

3

Prerequisites

MJFC 225 History of Film & TV, MJFC 342 Adv. TV Production OR MJFC 343 Cinematography, MJFC 350 Film & TV Editing

MJFC 350 : FILM & TV EDITING (3 Credit Hrs.)

Introduction to the art of editing using the digital software Adobe Premiere Pro, while learning the history, terminology, and aesthetic principles of post-production. The hands-on projects and labs elucidate the importance of the frame, and allow the practical application of importing, organizing, cutting, audio mixing, and exporting. Projects include narrative, documentary, and experimental editing. Present your work in class and critique each other's work.

Credits

3

Prerequisites

MJFC 223 Film & TV Production (Audio students exempt from taking MJFC 223). Co-requisite: MJFC 342 Adv. TV Production OR MJFC 343 Cinematography

MJFC 351 : Film Analysis

Introduces the basic building blocks of cinema genre, narrative structure, film form, style, and aesthetics. Explores elements that include cinematographer, editing, sound design, mise-en-scene, acting, themes, motifs, and point of view. Students examine the synthesis of all the elements working towards a single piece of visual work. Students undertake critical research on the production, distribution, and marketing of films within the context of culture, politics, and economies. Prerequisite: MJFC 200 Intro to Media Production

Credits

3

Prerequisites

MJFC 200 Intro to Media Production

MJFC 400 : Magazine Writing

Students learn the theory and practice of writing long-form journalism, short gazette items and interactive narratives for digital and print magazines. Coursework includes regular critiques of published examples by student and professional journalists. Students also serve as reporter/producers for 101 Magazine (www.101magazine.net).

Credits

3

Prerequisites

MJFC 316 Enterprise Reporting in Diverse Communities or permission of the instructor.

MJFC 410 : Audio Engineering

Explore the theoretical fundamentals of acoustics, electronics, synthesis, sound design in and for music production and digital audio recordings. Along with building vital academic proficiency, students acquire a strong foundation in the use of a digital audio workstation in a music production setting. Students will begin to develop and apply practical skills relating to studio construction, microphones, microphone placement, mixing consoles, recording and signal processors. Audio engineering involves an introduction to software-based recording systems with an emphasis on editing, arranging and mixing.

Credits

3

Prerequisites

MJFC 330 Multimedia Audio Production, Senior standing

MJFC 412 : IMMERSIVE SOUND DESIGN & MIXING

New - Learn how immersive audio reflects the way humans perceive sound in real life. Become aware of human perception of sound spatialization. Develop multidimensional binaural audio mixes, listening experiences which accurately depict real-world spatial perception. Leverage accessible hardware and software to place the audience within rich immersive soundscapes, ensure mixes translate between monitoring systems, meet platform delivery expectations, overcome known barriers to access, and understand the immersive audio landscape. 

Credits

2

Prerequisites

MJFC 336 DAW Editing & Mixing and MJFC 410 Audio Engineering

MJFC 419 : ADVANCED EDITING

New - Examine advanced aesthetic, theoretical, and practical concepts of Film and TV editing. Master the post-production phase of film and television production through hands-on experience. Understand the language of film editing, and discover how to construct narratives properly using Avid Media Composer. Sharpen your editing practices and creativity.

Credits

3

Prerequisites

MJFC 350 Film & TV Editing

MJFC 420 : Documentary Film

Engage in the actual conceptualization, planning, development, and production of a short documentary. Pursue social issue topics of interest to them. Conducted as a workshop, seminar with mentoring sessions on concept development, research, production, and post-production. This production-intensive course carries the student through the rigors of documentary production based on sound research culminating in a finished documentary suitable for Television or Film.

Credits

3

Prerequisites

MJFC 223 Film & TV Production OR MJFC 201 Multimedia Storytelling OR MJFC 330 Multimedia Audio Prod

MJFC 421 : Blacks in Film

A survey of the history of the image of African Americans in film. Students will analyze the impact that these stereotypes have on society and on Blacks’ self-concept. The course will also examine the ways in which the images of Black people have changed (or been perpetuated) when rendered by African American filmmakers. Spring only.

Credits

3

MJFC 422 : Film and Social Change

Examine the history of postcolonial Third Cinema' movements in Latin America, the Caribbean, Africa, South Asia, the Middle East, and diaspora communities in the U.S. and U.K. Viewed through the lens of Frantz Fanon's argument on the 'native poet' and national culture inThe Wretched of the Earth. Conduct critical research on race, gender, class, and national identity and explore the notion of active spectatorship regarding film as a catalyst for social activism and social change.

Credits

3

Prerequisites

MJFC 200 Intro to Media Production

MJFC 423 : Advanced Scriptwriting

Workshop a first draft of either a feature-length script or a pilot script for episodic television. Refresh and improve upon formatting procedures. Complete weekly writing assignments so as to develop a process for working on character, structure, dialogue, and dramatic action. Study successfully produced screenplays and TV pilot scripts for comparative analysis and inspiration.

Credits

3

Prerequisites

Prerequisite: MJFC 340 Scriptwriting

MJFC 424 : THESIS: DEVELOPMENT AND PREPRODUCTION

New - Mandatory for Thesis Production (MJFC 468). Develop a short film script to be produced in the subsequent Thesis Production class. Requirement: A locked script, a preliminary budget, and schedule, and a gofundme page for the film. Students must also submit a production packet and undergo a Boot Camp to shoot a scene from the locked script.

Credits

2

Prerequisites

MJFC 349 Directing for Film & TV. Co-requisite: MJFC 347 Producing for TV and Film

MJFC 425 : THESIS: DEVELOPMENT AND PREPRODUCTION

New - Mandatory for Thesis Production (MJFC 468). Develop a short film script to be produced in the subsequent Thesis Production class. Requirement: A locked script, a preliminary budget, and schedule, and a gofundme page for the film. Students must also submit a production packet and undergo a Boot Camp to shoot a scene from the locked script.

Credits

2

Prerequisites

MJFC 349 Directing for Film & TV. Co-requisite: MJFC 347 Producing for TV and Film

MJFC 427 : AFRICAN AMERICANS IN FILM & TV

New - Develop a critical foundation for understanding the cultural, political and economic histories of racialized and gendered stereotyping of African Americans in film, television and popular culture. The central focus is on the history of African American productions, beginning with the race movies' onto mainstream Black film movements, African American representations in television in a changing American society, and the economic impact of African American produced television and minority ownership of entertainment cable networks.

Credits

3

Prerequisites

MJFC 200 Intro to Media Production and Sophomore Standing

MJFC 428 : CREATIVE WRITING NON-FICTION

New - Explore non-fiction storytelling across multiple genres to help find your individual style and creative voice. Discuss the history, theories, and movements that have shaped non-fiction writing, and literary works with the goal of being able to locate each student's work within an artistic, historical, and cultural context.

Credits

3

Prerequisites

MJFC 340 Scriptwriting

MJFC 429 : ADVANCED CINEMATOGRAPHY: LIGHTING FUNDAMENTALS

New - Expanding on the learnings of Cinematography course, examine and learn advanced lighting techniques, grip strategies, understand power distribution. Discuss the theory of light and explore the psychological impact of light in cinematography. Take a deep dive into color reproduction and its manipulation in post-production color grading process.

Credits

3

Prerequisites

Prerequisite: MJFC 343 Cinematography

MJFC 438 : Film & TV Practicum

Facilitates the student's transition from college to the entertainment industry. Focus of the class will be skills training in topics related to the identification and acceptance of employment opportunities, career development and techniques for upward mobility within the field of film and television production. Students obtain a supervised internship in a professional setting and work for a total of 120 hours for the Fall or Spring semester. Summer interships (60 hours) must be pre-approved by instructor.

Credits

1

Prerequisites

MJFC 342 Advanced TV Production OR MJFC 343 Cinematography and Senior Standing

MJFC 443 : Howard Enter: Physical Produc.

This course serves as an introduction to the fundamentals of physical production. We will delve into nuts and bolts of line producing from prep to post, a basic understanding of the industry standard budgeting and scheduling software, a producer's break down of a script, the logistics of hiring people, securing locations, and equipment. We will also investigate the producer's process from finding a property, through getting it green-lit, to the marketing and distribution aspects of the producer's job.

Credits

3

Prerequisites

MJFC 342 Advanced TV Production OR MJFC 343 Cinematography and Senior Standing

MJFC 446 : HE:Unscript. Series Production

This course serves as an introduction to the basic principles, procedures, and techniques of unscripted series production. Emphasis will be placed on the structure of nonfiction storytelling and its creative considerations. Students will explore topics in representation, authenticity, and audience reception. Through research, class discussions, and guest lectures with creative executives, students will learn how to create a series pitch deck and 2-5 minute sizzle reel.

Credits

3

Prerequisites

MJFC 342 Advanced TV Production OR MJFC 343 Cinematography and Senior Standing

MJFC 450 : Howard Entertainment: Capstone

This course is designed to facilitate the Howard Entertainment capstone project, resulting in the culmination of your work in the program. The capstone will provide students with an interdisciplinary experience that will promote the program's mission to cultivate the next generation of studio executives. The goal of the course is to emulate (as close as possible) a real-world experience of bringing a project to life as a show team for an independent production company and present it to a team of investors (judges).

Credits

3

Prerequisites

MJFC 424/425 Thesis: Development and Production

MJFC 456 : Practicum - Journalism

Continued ongoing work within a chosen area of journalism involving placement in a professional setting in a supervised internship.

Credits

1

Prerequisites

MJFC 330 Multimedia Audio Production, senior standing.

MJFC 457 : Audio Practicum

Continue ongoing work within chosen area of audio production involving placement in a professional setting in a supervised internship.

Credits

1

Prerequisites

MJFC 330 Multimedia Audio Production, Senior standing

MJFC 458 : Practicum Internship: TV/Film

Make the transition from college to the entertainment industry. Focus on skills training in topics related to the identification and acceptance of employment opportunities, career development and techniques within the field of film and television production. Obtain a supervised internship in a professional setting and work for 120 hours in the Fall or Spring semester. Summer internships must be pre-approved by instructor.

Credits

1

Prerequisites

MJFC 342 Advanced TV Production OR MJFC 343 Cinematography and Senior Standing

MJFC 460 : Capstone: News Vision

This intensive Capstone course required of all journalism majors that incorporates enterprise reporting in diverse communities for broadcast, print and/or online platforms. Those interested in television will also work for NewsVision on WHUT-TV. For print/online, take NewsLab.

Credits

3

Prerequisites

MJFC 313 Public Affairs Reporting.

MJFC 462 : Advanced Audio Production

Study production methods with an emphasis on studio training in producing multimedia and complete radio programs. Learn advanced mixing and mastering techniques while creating projects with experimental audio. Apply in-depth study and application of effects processing, dynamics processing, analogue routing and mixing, and mastering are studied. Write analysis and commentary. Produce an audio electronic portfolio that contains completed productions including audio for film, radio (commercial and non-commercial) and multimedia audio for the web (podcasts, SoundSlides).

Credits

3

Prerequisites

Senior standing, MJFC 330 Media Audio Production and MJFC 340 Scriptwriting

MJFC 464 : Advanced TV Production

MJFC 342 ADVANCED TV PRODUCTION (3 Credit Hrs.) Gain an understanding of the principles of multi-camera production, on- location, and in-studio environments. Delve into the language and procedures of TV directing, and control room protocols. Experience directing talent and crew, through working with actors and on-air talent and perform the operation of cameras, switchers, and related equipment.

Credits

2

Prerequisites

Prerequisite: MJFC 223 Film & TV Production

MJFC 466 : Film/TV Thesis: Production

The focus of this course is to engage students with the technical as well as creative process of directing for film. On a very advanced level, students will learn how to interpret a classic literary drama by further translating such manuscripts into the medium of motion pictures.

Credits

2

Prerequisites

MJFC 424/425 Thesis: Development and Production

MJFC 469 : UG Film/TV Thes Scrwrtg FeF

Write a feature-length screenplay or a pilot (one-hour drama or half-hour comedy). Explore the next level of crafting a screenplay that works for its genre and format. Develop support materials such as outline, break-down, beat sheet, loglines, synopsis, and show bible. Learn the art of pitching and producing a viable pitch deck. Critique classmates' work.

Credits

2 - 3

Prerequisites

Prerequisite: MJFC 349 Directing for Film and TV, MJFC 423 Advanced Screenwriting